Photo studio by Akutagawa Kenji as the Picture Nov.23 2012 Ryoanji
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Your Account with you anywhere. No personal information is required to create your secure email account. By default, we do not keep any IP logs which can be linked to your anonymous email We value your privacy. We will not sell or rent your email address to third parties. Register a free trial account for the 1st month. The seemingly tin-eared would call it noise, but in these eight hands, such a set plays as anything but, instead a cough syrupy stroll in search of the ghosts of rocks classicist past.
With The Door, Religious Knives have not only found those bygone days, but broken them apart. There are bookmarks to be found here, pages creased in well-worn chapters. But make no mistake -- theirs is a sound tied to the here and now, a summer record for those dread days when the heat holds low and skin sticks to cheap car seats and old patio furniture. These six songs are brighter, sharper than anything that has come before, locking in tight on jugular rhythms. Its the score for disappearing neighborhoods and crumbling buildings, a hope of holding onto the past as those around us move fast to forget it.
It is scent as sound, the stench of smog and sickly smoke spiraling towards the sky. It is Brooklyn, July of The sun has left us in the East, disappearing somewhere behind Jersey, leaving our borough to find the pulse of another night deep with the citys streets. Edition of Spencer Yeh of a few years back. Like the amazing beard he has sported since childhood, his music is a free-fall of acoustic wonder.
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He is also the cat responsible for turning on most of the world to the radical charms of three girls from Ohio wickedly named 16 Bitch Pile-Up. With a name like that you may have expected something just kinda funny but what made itself imminently obvious was that 16 Bitch was really and extremely into producing a wholly personal thrombosis of noise improvisation. Crystallized to the trio of Sarah Bernat, Sarah Cathers and Shannon Walter, this trio has become one of the most consistently exciting live experiences of the last five years. These recordings by both artists were done when both were still residents of Ohio and reflect that time and space right before each others exodus.
They are raw and righteous and ready for you to take a bite. Literally the sound of human progress darkened with a profound fidelity so loud the dark matter of the universe quivers in a deadly orgasm. Guitar, bass and drums reconfigured for a new purpose. This is the bands sixth album and takes the notch so much higher than previous efforts in terms of songwriting and production. With Andrew W.
And the beat of this heart sounds off in an alien tongue of bass and drums.
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Guitars descend like unforgiving sheets of napalm from the smoldering skyline. Songs pop out of this miasma that tick off icy coolness with piano and vocal stylings.
Indeed, hot and cool. To accentuate the difference this album has versus previous Sightings records, a Scott Walker cover is included. This is a rock album, but a rock for times coming, a sound of future days. Break the chains from the days of past, listen to Sightings and evolve. Limited edition beautiful high gloss gatefold LP.
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Smack Music 7 is her doing solo tape music, a style she refers to as Glamtronics - it is amazing, elegant and stately. Killer harsh noise project of Canada power electronics master Ryan Bloomer.
Z is the sound of that feeling you get when you think youre being watched or followed by the omnipotent one. In keeping with the metaphysical theme, the albums five tracks are titled simply with different numbers of infinity symbols. And since it would have been in keeping with their neo-hippie aesthetic, we are bummed that Sunburned didnt title the album Infinity While High. Four Tet. Directed by Kieran like actors in a film, Sunburned is taken off the bandana smokestage of their previous collaboration -- Fire Escape -- and put onto a sweat-soaked 4am lysergic dance floor.
Kieran uses the band like his live instrument laptop and sampler. The results are truly stunning which makes this record into one of the best moments of each artists respective musical careers. With artwork by California visionary and band favorite Raymond Pettibon, A has looks that kill along with the sounds that thrill. Includes double-sided poster of Pettibon artwork. Mike also runs the amazing Arbor label. Focusing on the more marginal drone and noise musics of the planet Earth, Arbor has graced us with killer cassettes by Evan Miller, Gown, Cygnus, Bark Haze and his own Treetops project.
All class acts.
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So its with a happy heart and slippery soul that we issue this lovely jammer. Cover art by Coco. Limited Edition of " - Ecstatic Peace. Artist: W. Special edition gatefold vinyl by Ecstatic Peace!. Andrew played his very own Steinway Concert D piano, set up for optimum tape recording by F. Photographer, Andrew Strasser, has completed a comprehensive photo shoot of AWKs prized Cadillac Fleetwood limousine, which features heavily into the albums artwork. Only copies of the LP will be pressed. While each release has explored a psychedelic-folk wonderland, this album is far and away one of the most concisely focused and downright catchy recordings in the WW oeuvre.
Hoping to transcend genre tags, Toth, with more than a little help from his friends, has crafted a consistent and creative batch of songs that rewards repeat listens and continues to showcase his talent as a songwriter.
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Truscinski and Meginsky are the fine gentleman whove recorded as Slaughterhouse Percussion, Meginsky a student of and research assistant to Milford Graves at Bennington College. Utilizing such instruments as guitar, swinehorn and kuck, Mr. Vallor has created a world of scrambled-diz miniatures of disarming variety. It is a bravura performance, paying ecstatic tribute to the Man from Saturn, and also creating an amazing fever acid swamp of sound. Housed in a gatefold sleeve with photos from the BYG archive. Includes insert. Mid 90s release. In truth, Gown is a person. Gown is from the islands of British Columbia Canada, and spent an entire year living on one such island alone, apart from his dog and three or more goats.
The music swirls and eddies as water does when trapped in a cove, just before rejoining the ocean-propers massive swells and crashing onto a buncha rocks. And I guess the music is like that rejoining, too. A process such as this is a journey and far from perfect, but the missteps sparkle and gleam like the random beauty that surrounds us.
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This LP is limited to , all with hand painted original covers. This is the long awaited follow-up to Paul"s debut cassette release on Open Mouth. This LP is luscious and layered with psych banjo based pieces spread over 12 tracks. I"d compare it to a cross between Daniel Higgs and Doc Boggs sans vocals.
A truly beautiful record which comes in a VG Kids screenprinted double sided sleeve sleeve in a one time edition of Concerned with small, installation-oriented audio, what they refer to as "found sounds within found spaces. It is a monster of form-disruption and includes some of Kilynn Lunsfords most easily comprehended songs. Beauty wears many skins. Heres the proof. They create incredible hillocks of acoustic and electronic clatter, with certain resonances although very few actual similarities to some of the other UK underground giants of their era.
They existed from and this LP was released as the 4th volume of the Center of the Ass Run series. I seem to recall Tom Lax once drunkenly comparing them to Throbbing Gristle and well, Tom should know. But what happens when these two bohemian gentlemen retire to their smoke-pit with a bunch of musical instruments, several pounds of sweet leaf, and some recording equipment?
If you really wanna know, well, you now have the power. Their fully-smoked psychedelic vision allows them to re-imagine and re-align one of Garys own back pages "Tornader To The Tate" originally recorded with the Residents in , as well as various song-bits they recall from elsewhere. Recombinant theories mix with tricky fingering in ways that will blow you across the room as a recent Brooklyn live show demonstrated to several unwary attendees. Very mind-blown and fully loaded. Includes liner notes by Byron Coley. Because of fates vagaries, their time is gone. Everyone missed and ignored the boat they offered us, and we were all left floating, lonely, in a sea of our own shit.
Until now. We truly dont understand how this one got by us upon its initial release, but it did. Their cries of creation fell upon deaf ears; for a good while, anyway. Their music ombines all sorts of parts including but not exclusive to Royal Trux, universal Siltbreeze sounds, Rolling Stones feedback loops, American Primitive volk guitar, Boogie Rock, lo fi form-scrumble, etc. It s a motherfuckin shame this went unnoticed in , but maybe now we can right some wrongs, change the world, and float a boat or two. Because it all sounds fucking great.